ABOUT

katie. xvii. colorado.
hufflepuff.
hollow shell of a human being.
CURRENTLY

Reading:
Crime and Punishment
The Maze Runner Series
Watching:
Halt and Catch Fire
The Pacific
Listening to:
Jack White
UPDATES

Life:
First day of college Aug 21st.
Turning 18 on Aug 26th.
Blog:
Added tags page on 6/27.
Added updates on 7/1.

WORKING ON

8tracks:
The Secret History mixes.

bellecs:

Montgomery Clift photographed by Stanley Kubrick for an issue of Look, 1949


July 29thvia and source with 1,286 notes

enjolradz:

friendly reminder that if we’re mutuals and you wanna exchange snapchat names or instagram or something you’re more than welcome (encouraged) to shoot me an ask


July 29thvia and source with 1,144 notes

inspiring:

VIRUS GOING AROUND!!!!! SIGNAL BOOST THE SHIT OUT OF THIS!!!!!

if you are on my blog and there’s a button that says “unfollow” in the upper-right corner, DO NOT CLICK IT! it will bring you to a FBI site that will trap your browser and even can access your webcam! it’s very serious and it’s important you do not click it


July 29thvia and source with 204,312 notes

bumisquared:

p’li being a total badass babe (✿◠‿◠)


July 29thvia and with 385 notes
#lok 

stayforthecredits:

As a director are there any lessons you feel you learned from your experience working on Snowpiercer?

CHRIS EVANS: Bong does things very differently as a director. Typically when you’re shooting a scene, if this were a scene, you would shoot in a master and you would get us together in a two-shot. Then you would do the whole scene on your single and then the whole scene on my single. And we would have a lot of options in the editing room to cut the scene together as you choose. Bong will shoot the edit in his mind. If he saw the scene between you and me, if he saw the first three lines in a two-shot and the next two lines were on you and the next two lines are on me, that’s what he would shoot. There are days where there’s plenty of lines of dialog I have in the movie that are not on film. There is no footage of my saying certain pieces of dialog. It’s the most bold, terrifying thing I’ve ever seen any director do. But it obviously worked out. I will never be that confident, but it worked out. It’s one of those amazing things that you can do when you’re that powerful a filmmaker. (via Badass Digest)


July 29thvia and source with 194 notes

July 29thvia and source with 490 notes

i need to follow more lok blogs. i just started the third series and it is SO GREAT


July 29th — and with 2 notes

July 29thvia and source with 5,780 notes

a-bittersweet-life:

I think the enemy of [film] is of course reality, and films are best when they manage poetry by reducing the element of reality and introducing something which is the invention of the filmmaker.

Orson Welles


July 29thvia and source with 1,156 notes

"John Cleese was flirty, Michael Palin was shy, Terry Jones very jolly, Eric Idle a bit aloof, Graham Chapman very polite, Terry Gilliam loud and manic." Carol Cleveland


July 29thvia and source with 260 notes

pentapoda:

my reaction to every episode of Elementary: WHERE IS THE TURTLE


July 29thvia and source with 802 notes

lucy liu filming elementary // season 3


July 29thvia and source with 510 notes

#when I find myself in times of trouble #pennsatucky comes to me #speaking words of wisdom


July 29thvia and source with 15,087 notes
#oitnb 

The Force is what gives a Jedi his power. It’s an energy field created by all living things. It surrounds us and penetrates us. It binds the galaxy together.


July 29thvia and source with 957 notes
#sw 

It’s only after we’ve lost everything that we’re free to do anything.


July 29thvia and source with 272 notes






Jcwaylnd